Thursday, July 17, 2014

THE CHALLENGES OF AUDIOBOOK NARRATION, PART 6: READING WORKS FROM DIFFERENT GENRES

This is another reposting of an entry recently appearing on the Plum Tree Books page on Facebook

Join me for a moment in consideration of two wildly divergent literary genres: magical realism (in honor of the very-recently-deceased Gabriel García Márquez) and political science (in stark realization of this Second Guilded Age in which most of us find ourselves). Quite different, no? In fact, we could think of them as almost polar opposites: one sitting out on the extreme, fantastical edges of modern fiction, and the other found firmly and conservatively planted in the potentially drier (perhaps sleep-inducing?) regions of NONfiction.

How does one person, one narrator, approach the creation of audiobooks based upon writings in these two opposing styles? Well, many don't even try. Either by their own choice or by typecasting imposed by others, they stick to a single area, like children's books or mystery/thrillers. But, for whatever reason, my personal constitution always seems to make me a sucker for a challenge.

Rather than bloviate any further in print on this topic, I'll simply let you hear one example of my work from each genre, and let your ears and your sensibilities do their own "contrast and compare" of the two.

The first is from the opening lines of one of my favorite audiobooks, which I completed early last year for the brilliant authors of magical-realism, Amy Krout-Horn and Gabriel Horn: their novel, TRANSCENDENCE.


And the second is an excerpt from a very important work of modern political science, one which focuses on the all-encompassingly-important topic of campaign finance reform (a topic that SHOULD *transcend* political ideologies): Lawrence Lessig’s, ONE WAY FORWARD.



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